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The Estonian violinist Mihkel Kerem (born in Tallinn in 1981) is familiar as a performer in Britain as well as at home; he is also a prolific composer, with over one hundred works to his credit, three symphonies among them. Hardly surprisingly, he has written for his own instrument, including a concerto and these four sonatas ? the First an astonishing achievement for a thirteen-year-old and the Second hardly less surprising from a fifteen-year-old composer. Kerem’s style is powerful and direct, reminiscent of Prokofiev in its steely strength and motoric energy.
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